Women.-An Oral History(Chapel Hill: University of North Carolina Press, 2018). He is the author of Appropriating Blackness: Performance and the Politics of Authenticity (Durham, NC: Duke University Press, 2003), Sweet Tea: Black Gay Men of the South-An Oral History(Chapel Hill: University of North Carolina Press, 2008), and Black. Johnson performs nationally and internationally and has published widely in the areas of race, gender, sexuality, and performance. Patrick Johnson is a scholar, artist, and the Carlos Montezuma Professor of African American Studies and Performance Studies at Northwestern University. Part Fiveīridgforth on growing up in Los Angeles, raised by people from Memphis, and New Orleans, listening to stories, and writing to understand herself and to survive (7:28). Johnson acknowledges several women in his oral history project who have helped build networks of activism and care (13:40). What most surprised him in the oral history interviews for the book? Themes of spirituality, sexual fluidity, nomenclature, and queerness (9:08). Johnson's approach to interviewing and transcribing, selecting and editing narratives for print publication, and recording stories of everyday sexual violence (14:49). Presentation Part Oneīlack women who influenced Johnson's thinking about literature, folklore, the arts, and "quare theory" while growing up in western North Carolina and when attending UNC–Chapel Hill (5:27). From a variety of perspectives, and with an emphasis upon the US South, this series, edited by Eric Solomon, offers critical analysis of LGBTQ+ people, practices, spaces, and places.
Queer Intersections / Southern Spaces is a collection of interdisciplinary, multimedia publications that explore, trouble, and traverse intersections of queer experiences, past, present, and future.
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